Tomorrow, I will have been a resident of the greater LA area for exactly five months. It has been somewhat of a whirlwind of activity, a blur in some cases and agonizingly slow in others. Overall, I would say it has gone fairly well. I have two good acting coaches (more about them later), a quality commercial agent, and I have even managed to find a bit of work in these five months.
I should feel on top of the world about what has happened since I have been here. Truth is, I don't. My downtown LA acting coach says I am too impatient. Maybe he's right (he usually is), but inside I have this gnawing feeling of wanting more....more signs of progress, more auditions, more bookings, more everything that an actor needs as milestones to judge how things are going with their career.
I don't feel my impatience is necessarily a bad thing, if kept in control. A good football coach will tell you that he wants his number two quarterback chomping at the bit to play, yearning to show the coach that he is the man for the job. That impatience is one of the key ingredients which fuels that quarterback's drive. I believe it's the same with me, or any other actor who wants to excel in a major market.
I have two quality acting coaches that anyone would be happy to have, and that's exactly the way I feel about both of them. However, I may have been rushing it too much, in that I am taking a private lesson from one coach one week and the other, the next week. While they come at you with different personalities, they say pretty much the same things. I think however, that I may be (by taking a private lesson each week) overloading my senses, in that I am pushing and trying too hard. As all actors know, trying too hard is not the way to deliver a smooth and natural performance. I thought about taking a month off from acting lessons entirely to regroup my thoughts about the techniques of acting. I decided against that because I didn't want to go a full month without acting lessons.
Before adding my second (Hollywood Hills) acting coach (at the urging of my commercial agency) I was taking a lesson every two weeks from my original acting coach in downtown Hollywood. I believe the two weeks between lessons were beneficial in digesting, utilizing, and incorporating into my acting, what I had learned in each lesson. With that in mind I am strongly considering alternating acting coaches in the following manner. I will take a lesson every two weeks one month from one coach. The follow month I will do the same with the other coach. I believe this will give me more time to more fully understand, and to practice what I had learned in the most recent lesson. This will have the effect of alternating each coach on a monthly basis. This may be a workable scenario or not, but it should only take two months to find out. I haven't made up my mind fully on this, but I am strongly leaning that way.
In with these private lessons, I need to schedule a weekly improve course, and various acting seminars, as they arise. I am taking a one evening seminar from a well known casting director on August 13th.
In the world of Academia, the bylaw for professors is "Publish or perish," For actors it's "Study or perish." I am fully aware that I need to study. It's just that my study schedule may need a bit of tweaking, as I feel I am at a crossroad as to how I continue my studies. Not with whom, just how. I need to continue them in what I deem to be the best way to further my acting skills, and more importantly, my acting career. Perhaps, as my downtown Hollywood acting coach said, I do need a bit more patience. I need to understand that taking a private acting lesson every week may not speed me towards my goal any faster that taking one every other week. The progress of an actor is far more important than the number of acting lessons they have taken.
There is also one other thing which, while I have been doing it frequently, I need to do even more. It is probably best illustrated by an old joke that was in vogue back in my days as a professional musician. A man is walking down the streets of New Your City when he spots a musician coming towards him, carrying a horn case. He stops the musician and says, "Excuse me, but can you tell me how to get to Carnegie Hall?" The musician looked at him for a moment and then replied, "Practice, man, practice." That's good advice for an actor as well. I have exercises and copy to practice in front of a full length mirror, plus filming certain segments with my video camera, so I can study and review my look, actions, etc later. As I said, I need to spend even more time doing that. As a professional musician I spent hours upon hours practicing techniques until they became second nature. As an actor, I need do no less.
Finally, actors all over Hollywood (Using the name Hollywood to mean all of the LA acting community) are complaining that there is lees work than before. That can be attributed to two factors. (1) there is always a noticeable slowdown in work in July and August, and (2) the economy has affected the number of film and TV projects, as well as the budgets of some of the projects that have been given the green light. I have discussed before the fact that there are some things which are directly under the actor's control (being on time, being professional, being prepared for the audition, Being prepared for the role once you are cast, etc.), and there are a number of things over which the actor has no control. The economy is one of those things, and is not something I choose to worry about.
We will talk again, soon...............
Saturday, August 1, 2009
Wednesday, July 29, 2009
A Funny Thing Happened On The Way To The Audition
OK, I couldn't resist The title of this post is a play on the old stand-up comic line of "A funny thing happened on the way to....." In this case, that happens to not be entirely accurate. Actually, a funny thing happened at the audition.
While casting directors vary somewhat in their methods, the audition process itself is fairly standard in LA, Seattle or in any other location. For the non actors among you, here's how it works. You are either sent the sides (a small portion of the script) via email, or you are told that it is a cold reading, and you will get the sides a few minutes before the audition (the email option is much more in vogue now). If you received the sides by email, you study them, make choices as to how you will play the character, and in general, prepare for the audition. If it's a true cold read, you and all the other actors must do this same process in ten to fifteen minutes before you audition.
This past Monday, I had an audition, for which I was sent the sides in advance. What happened when I arrived is when the structure of the audition varied greatly from the norm. Traditionally, when you arrive at an audition, you sign in, and take a seat in the waiting room. One of the casting assistants checks the sign in sheet frequently and calls you, one at a time, to enter a separate room for the audition. Next, you audition, you thank them, and you leave. As I said, that is fairly standard in the business.
For this audition, however, there was no waiting room, and the room to which you entered was the same room were all the actors waited and auditioned. This meant you were able to see the auditions of all the actors who came before you on the sign in sheet. This is highly unusual
I was amazed at the lack of preparation of some of the actors. One punctuated his audition with maniacal laughs, even though the script mentioned nothing about the character exhibiting that sort of behavior. Another spoke in a monotone, even though the script did indicate that the character was somewhat animated. One drew the dialogue out so that it took twice as long as normal. One actor gave quite a good audition, and was obviously prepared.
How did I do? They say the desired result for an audition is to walk away feeling good about your performance; feeling that you captured the character as the script indicated. That is the best you can hope for, and that is what I did. I was also prepared, had a good audition, and walking back to my car, I felt good about how it had gone. Will, I get cast? There are so many variables in an audition, that is impossible to answer. First, I only saw a small segment of the actors who auditioned for the role. Secondly, there are intangibles that are totally out of the control of an actor at an audition, yet often have a direct bearing on who is cast. These include your look, and how all the other actors did in their auditions for the same role. Still, walking away from an audition feeling good about how you did is the desired result, and being able to watch other actors audition for the same role is a rare bonus.
The process of acting in LA continues, as I have a theatrical audition (film) in Burbank this afternoon, and a private lesson with my Hollywood Hills acting coach, tomorrow.
Being a new actor in Hollywood is a work in progress. I attended an acting seminar this past Saturday, and with two audition and an acting lesson this week, that's pretty much par for the course.
Until next time..........
While casting directors vary somewhat in their methods, the audition process itself is fairly standard in LA, Seattle or in any other location. For the non actors among you, here's how it works. You are either sent the sides (a small portion of the script) via email, or you are told that it is a cold reading, and you will get the sides a few minutes before the audition (the email option is much more in vogue now). If you received the sides by email, you study them, make choices as to how you will play the character, and in general, prepare for the audition. If it's a true cold read, you and all the other actors must do this same process in ten to fifteen minutes before you audition.
This past Monday, I had an audition, for which I was sent the sides in advance. What happened when I arrived is when the structure of the audition varied greatly from the norm. Traditionally, when you arrive at an audition, you sign in, and take a seat in the waiting room. One of the casting assistants checks the sign in sheet frequently and calls you, one at a time, to enter a separate room for the audition. Next, you audition, you thank them, and you leave. As I said, that is fairly standard in the business.
For this audition, however, there was no waiting room, and the room to which you entered was the same room were all the actors waited and auditioned. This meant you were able to see the auditions of all the actors who came before you on the sign in sheet. This is highly unusual
I was amazed at the lack of preparation of some of the actors. One punctuated his audition with maniacal laughs, even though the script mentioned nothing about the character exhibiting that sort of behavior. Another spoke in a monotone, even though the script did indicate that the character was somewhat animated. One drew the dialogue out so that it took twice as long as normal. One actor gave quite a good audition, and was obviously prepared.
How did I do? They say the desired result for an audition is to walk away feeling good about your performance; feeling that you captured the character as the script indicated. That is the best you can hope for, and that is what I did. I was also prepared, had a good audition, and walking back to my car, I felt good about how it had gone. Will, I get cast? There are so many variables in an audition, that is impossible to answer. First, I only saw a small segment of the actors who auditioned for the role. Secondly, there are intangibles that are totally out of the control of an actor at an audition, yet often have a direct bearing on who is cast. These include your look, and how all the other actors did in their auditions for the same role. Still, walking away from an audition feeling good about how you did is the desired result, and being able to watch other actors audition for the same role is a rare bonus.
The process of acting in LA continues, as I have a theatrical audition (film) in Burbank this afternoon, and a private lesson with my Hollywood Hills acting coach, tomorrow.
Being a new actor in Hollywood is a work in progress. I attended an acting seminar this past Saturday, and with two audition and an acting lesson this week, that's pretty much par for the course.
Until next time..........
Tuesday, July 21, 2009
Into The Great Postal Void
Those of you who are regular readers of this blog may remember me talking about something I call Phase II. Phase II has two parts....first a mailing of headshots, resume, and a short cover letter to talent agencies, and secondly, doing the same with casting directors.
Part one of phase two had the result of my signing for commercial representation with a very well respected LA agency. I am still seeking theatrical (film & TV) representation.
Now for part two....yesterday I sent out mailers, again with headshot, resume, and a short cover letter to twenty-one casting directors who are currently casting films. The same organization that puts out the Casting Directors Guide every two months, also has a web version which is far more up to date. Since the Casting Directors Guide costs $13 every two months and the on-line version costs $5 per month, signing up for the online version was pretty much a no brainer, as it is less expensive and updated weekly instead of every two months.
What will be the result of those twenty-one mailers to casting directors? In truth, I have no idea, as this is virgin territory for me. As the title of this blog entry says, these mailers went into the great postal void. Maybe I will get no responses, or maybe I will get three or four responses. Still, for an unknown actor, it is market or perish in LA, so sending mailers to casting directors is a must. Also sending mailers to casting directors is somewhat of an on-going process, as in a week or two I will do the research to find out what new productions are casting and send mailers to those casting directors. A week or two later I will do the same, and so on. By the way, these mailers went (and will go in the future) only to theatrical casting directors, as the very nice lady who is my agent with my commercial agency informed me in a recent phone conversation, that commercial casting directors rarely, if ever, even bother to look at mailers sent to them from actors.
There have been a few developments in union status desirability in the LA market, particularly on the television side. It is still quite desirable for an actor to first become SAG eligible, and then at the proper time join SAG. However, because of the recent uncertainty as to what the SAG membership was going to do about a new contract (and the length of time this deliberation went on) many national TV shows have switched from being SAG affiliated to being aligned with AFTRA. This has several ramifications for actors, casting directors, producers, etc. AFTRA has no eligibility or waiting period. To join AFTRA you simply visit their office, tell them you want to join, pay the fees, and presto!, you are a member of AFTRA.
The Taft-Hartley law says that within 31 days after you do your first AFTRA job you must join AFTRA, or as I said in the paragraph above, prior to doing your first AFTRA sanctioned job you may join any time you wish.
Now, one correction to something I said in an earlier blog entry about contacting talent agencies. I said some require you to drop off your headshot and resume in person. That was in error. Although a very few will still allow you to drop by and leave these items in person, none that I have found require you to do so. The mail is still the method of choice for contacting most talent agencies, with some accepting electronic submissions.
Tomorrow I have a private lesson with my downtown Hollywood acting coach. It's always an intense one hour workout with him, and one that I look forward to and enjoy a great deal. Whether it goes well (which some have), doesn't go well (which others have) or is somewhere in between, I always leave my lesson feeling I am a better actor than I was when I arrived.
The same holds true with lessons from my Hollywood Hills acting coach, and that is, of course, why I continue to take private lessons from both gentlemen.
We'll talk again, soon......................
Part one of phase two had the result of my signing for commercial representation with a very well respected LA agency. I am still seeking theatrical (film & TV) representation.
Now for part two....yesterday I sent out mailers, again with headshot, resume, and a short cover letter to twenty-one casting directors who are currently casting films. The same organization that puts out the Casting Directors Guide every two months, also has a web version which is far more up to date. Since the Casting Directors Guide costs $13 every two months and the on-line version costs $5 per month, signing up for the online version was pretty much a no brainer, as it is less expensive and updated weekly instead of every two months.
What will be the result of those twenty-one mailers to casting directors? In truth, I have no idea, as this is virgin territory for me. As the title of this blog entry says, these mailers went into the great postal void. Maybe I will get no responses, or maybe I will get three or four responses. Still, for an unknown actor, it is market or perish in LA, so sending mailers to casting directors is a must. Also sending mailers to casting directors is somewhat of an on-going process, as in a week or two I will do the research to find out what new productions are casting and send mailers to those casting directors. A week or two later I will do the same, and so on. By the way, these mailers went (and will go in the future) only to theatrical casting directors, as the very nice lady who is my agent with my commercial agency informed me in a recent phone conversation, that commercial casting directors rarely, if ever, even bother to look at mailers sent to them from actors.
There have been a few developments in union status desirability in the LA market, particularly on the television side. It is still quite desirable for an actor to first become SAG eligible, and then at the proper time join SAG. However, because of the recent uncertainty as to what the SAG membership was going to do about a new contract (and the length of time this deliberation went on) many national TV shows have switched from being SAG affiliated to being aligned with AFTRA. This has several ramifications for actors, casting directors, producers, etc. AFTRA has no eligibility or waiting period. To join AFTRA you simply visit their office, tell them you want to join, pay the fees, and presto!, you are a member of AFTRA.
The Taft-Hartley law says that within 31 days after you do your first AFTRA job you must join AFTRA, or as I said in the paragraph above, prior to doing your first AFTRA sanctioned job you may join any time you wish.
Now, one correction to something I said in an earlier blog entry about contacting talent agencies. I said some require you to drop off your headshot and resume in person. That was in error. Although a very few will still allow you to drop by and leave these items in person, none that I have found require you to do so. The mail is still the method of choice for contacting most talent agencies, with some accepting electronic submissions.
Tomorrow I have a private lesson with my downtown Hollywood acting coach. It's always an intense one hour workout with him, and one that I look forward to and enjoy a great deal. Whether it goes well (which some have), doesn't go well (which others have) or is somewhere in between, I always leave my lesson feeling I am a better actor than I was when I arrived.
The same holds true with lessons from my Hollywood Hills acting coach, and that is, of course, why I continue to take private lessons from both gentlemen.
We'll talk again, soon......................
Wednesday, July 15, 2009
A Wise Saying Comes Home to Roost
Before becoming an actor, I had a long stretch of making my living, first as a computer programmer, then as a systems analyst, and finally in computer system sales. Just a few weeks into my information systems career I took my first course called Introduction to Data Processing (the term information systems came along a few years later) at the IBM education center in San Francisco. What does this have to do with acting, you ask? Stay with me and I think you'll see where I'm going.
In that first class, I met a young man (we were all young men back then) named Marty Dupont. Marty and his family owned a rental car agency in Hawaii, and Marty had been given the task of running the data processing end of their business. Marty and I had dinner and drinks a few times during the week long course, and I liked him right away. The instructor was a "take no prisoners" type of guy who spewed out information a mile a minute, as we all struggled to keep up with him. Somewhere along the middle of the second day of the class, the instructor stopped long enough to ask if there were any questions. What happened next has stayed with me over the years, as Marty raised his hand and when called upon said, "I'm not sure I understand everything I know."
I never saw Marty again after that class, but I remember him to this day because of that remark.
That remark (which I have come to view as one of life's wise sayings) certainly applies to my acting studies in LA. There is a great deal more urgency in the approach to private acting lessons in LA, both from the acting coach and the actor. There are roles out there (a lot of roles) in which actors are going to be cast, and both the acting coach and the actor are doing everything in their power to prepare the actor, as quickly as possible, to be one of the people who are cast in those roles, be they theatrical or commercial.
The pace is faster, and you are given an increasing work load by your acting coaches, with frequent (often daily) exercises to do. I have two excellent acting coaches, one in downtown Hollywood, and the other in the Hollywood Hills. Both are tremendously personable, as well as quite demanding, and the actor has to sift quickly through various methods, and procedures designed to make a role or character you are doing, natural, believable, and real. When getting into a role is not working, it is an extremely difficult process, yet when it is working, it seems as easy as a walk in the park.
Sometimes I think back to what Marty said about not understanding everything you know. The understanding does come, but sometimes it's a few days or even the next lesson before it all falls into place.
I had a lesson, today with my acting coach in the Hollywood Hills. It was quite productive, I learned, I applied what I learned, and took another small step on the way to where I want and need to be as an actor equipped to compete in the LA market. Next week, I have a lesson with my downtown Hollywood acting coach, and the week after that it's back for a lesson in the Hollywood Hills.
If I fail, it won't be because I did not listen to and learn from these two men and give it everything I have. If I succeed, it will be because I did.
Finally, LA weather may be great most of the year but not this month in the San Fernando Valley where I live. It is supposed to around a 100 (plus or minus a degree or two) for the next 4 or 5 days, and after that who knows. I can hear my friend in Phoenix (and you know who you are) laughing as she probably thinks a temperature around 100 is a cold snap. They say the winters are nice in Southern California and I can't wait to find out.
Until next time.............
In that first class, I met a young man (we were all young men back then) named Marty Dupont. Marty and his family owned a rental car agency in Hawaii, and Marty had been given the task of running the data processing end of their business. Marty and I had dinner and drinks a few times during the week long course, and I liked him right away. The instructor was a "take no prisoners" type of guy who spewed out information a mile a minute, as we all struggled to keep up with him. Somewhere along the middle of the second day of the class, the instructor stopped long enough to ask if there were any questions. What happened next has stayed with me over the years, as Marty raised his hand and when called upon said, "I'm not sure I understand everything I know."
I never saw Marty again after that class, but I remember him to this day because of that remark.
That remark (which I have come to view as one of life's wise sayings) certainly applies to my acting studies in LA. There is a great deal more urgency in the approach to private acting lessons in LA, both from the acting coach and the actor. There are roles out there (a lot of roles) in which actors are going to be cast, and both the acting coach and the actor are doing everything in their power to prepare the actor, as quickly as possible, to be one of the people who are cast in those roles, be they theatrical or commercial.
The pace is faster, and you are given an increasing work load by your acting coaches, with frequent (often daily) exercises to do. I have two excellent acting coaches, one in downtown Hollywood, and the other in the Hollywood Hills. Both are tremendously personable, as well as quite demanding, and the actor has to sift quickly through various methods, and procedures designed to make a role or character you are doing, natural, believable, and real. When getting into a role is not working, it is an extremely difficult process, yet when it is working, it seems as easy as a walk in the park.
Sometimes I think back to what Marty said about not understanding everything you know. The understanding does come, but sometimes it's a few days or even the next lesson before it all falls into place.
I had a lesson, today with my acting coach in the Hollywood Hills. It was quite productive, I learned, I applied what I learned, and took another small step on the way to where I want and need to be as an actor equipped to compete in the LA market. Next week, I have a lesson with my downtown Hollywood acting coach, and the week after that it's back for a lesson in the Hollywood Hills.
If I fail, it won't be because I did not listen to and learn from these two men and give it everything I have. If I succeed, it will be because I did.
Finally, LA weather may be great most of the year but not this month in the San Fernando Valley where I live. It is supposed to around a 100 (plus or minus a degree or two) for the next 4 or 5 days, and after that who knows. I can hear my friend in Phoenix (and you know who you are) laughing as she probably thinks a temperature around 100 is a cold snap. They say the winters are nice in Southern California and I can't wait to find out.
Until next time.............
Thursday, July 9, 2009
Sign Here, Please
There are milestones in every endeavor....a baseball pitcher's first win, a sales person's first sale, a boy or girl's first date, The birth of your first child. Each of these by nature of being the first will never happen again. To be sure the pitcher will savor each win thereafter, the sales person will celebrate all their future sales, the parent will love the rest of their children just as much, but etched deeply into all their minds will be the memory of their first.
And so it was today, when I sat down in the conference room of my commercial agency and signed all the necessary contracts and forms. I am now officially represented by my first Los Angeles talent agency. Sure they have already sent me on two auditions, but never the less, if I said I didn't enjoy today, I would be lying. It felt great.
It was a milestone in my LA acting quest. This is a top flight agency and I feel quite fortunate they agreed to represent me. However, in the overall picture it is but one of a succession of necessary milestones if I am to have any success. This agency will get me auditions, but I have to do well in them, and book some of the roles for which I audition. Not all of them of course, as no actor, even well known actors do that, but I have to have some hits when called upon to bat.
I still need a theatrical agency to represent me. I need my SAG card. I may need to join AFTRA (which, unlike SAG, one may join anytime they wish) There are so many more milestones to reach, but forgive me if I enjoy this one at least for the rest of today.
This past Wednesday, I returned to the studio of my downtown Hollywood acting coach to try and alleviate the bad showing I had two weeks ago. I was partially successful in that, while I was vastly improved on the same copy on which I stumbled badly two weeks ago, I still have some improvement to do with it.
Next week, I have my second lesson with my Hollywood Hills commercial acting coach. He gave me daily exercises, which I have been doing, and we'll see how that goes.
So life goes on, one milestone, one audition, and one acting lesson at a time.
We'll talk again soon.......
And so it was today, when I sat down in the conference room of my commercial agency and signed all the necessary contracts and forms. I am now officially represented by my first Los Angeles talent agency. Sure they have already sent me on two auditions, but never the less, if I said I didn't enjoy today, I would be lying. It felt great.
It was a milestone in my LA acting quest. This is a top flight agency and I feel quite fortunate they agreed to represent me. However, in the overall picture it is but one of a succession of necessary milestones if I am to have any success. This agency will get me auditions, but I have to do well in them, and book some of the roles for which I audition. Not all of them of course, as no actor, even well known actors do that, but I have to have some hits when called upon to bat.
I still need a theatrical agency to represent me. I need my SAG card. I may need to join AFTRA (which, unlike SAG, one may join anytime they wish) There are so many more milestones to reach, but forgive me if I enjoy this one at least for the rest of today.
This past Wednesday, I returned to the studio of my downtown Hollywood acting coach to try and alleviate the bad showing I had two weeks ago. I was partially successful in that, while I was vastly improved on the same copy on which I stumbled badly two weeks ago, I still have some improvement to do with it.
Next week, I have my second lesson with my Hollywood Hills commercial acting coach. He gave me daily exercises, which I have been doing, and we'll see how that goes.
So life goes on, one milestone, one audition, and one acting lesson at a time.
We'll talk again soon.......
Wednesday, July 1, 2009
Pursuing Acting On The Side Of A Mountain
Today, I had another acting lesson, but not with my usual Hollywood acting coach.
My new agency, which represents me commercially, has a favorite coach for commercial acting to which they send most of their adult clients (They also represent child actors in a number of areas). After one lesson with him, I see why he is their favorite. He has successfully done commercials and taught for years and knows exactly what it takes to get callbacks and to get bookings. Let me be very clear about one thing. Studying with this new acting coach is not, by any means, instead of studying with my other acting coach, who I have mentioned numerous times in this blog, but is in addition to studying with my long time coach.
The new coach, Like my other coach, is very personable, but brutally honest and direct in his approach. He gets right to the point of what, how, why, and when. This is Hollywood. This is the big leagues. These are big league acting coaches, and I listen to every word both men have to say about acting in general and my acting in particular. I would be a fool not to.
The truth is, they both know what it takes to work in this town, and they both know how to impart that knowledge to their students. Like money, you can never have too many quality acting coaches. I now feel very fortunate that I have found two.
My long time acting coach has a studio in a building in downtown Hollywood. My new acting coach also teaches in Hollywood, but far from downtown. He teaches in a studio in his home, which is perched half way up the mountain on which sits the Hollywood sign. His house is on a winding narrow, often one lane road (due to cars parked on the side). There are houses on both sides of the road and at times, around blind curves, you must drive no more than five miles per hour in case you meet someone coming the other way. If that happens, one car has to give ground so the other car may pass. It's a very adventurous road.
The lesson today showed areas where I need work. I welcome the challenge and know that I am up to it. I have daily homework which I will, of course, do. I have a lesson scheduled with my long time acting coach next week, and one again with my new acting coach the week after that.
For the cherry on top of the cake, I received an email shortly after my lesson concluded, which informed me of an audition I have early tomorrow afternoon. This audition is for a commercial and came through my new agency.
So acting lessons and auditions continue, and hopefully sprinkled in among those will be some bookings. Of course I haven't forgotten that I still need to find a quality theatrical agency to represent me in that area. How will it all shake out? We'll find out together.
Stay tuned.........
My new agency, which represents me commercially, has a favorite coach for commercial acting to which they send most of their adult clients (They also represent child actors in a number of areas). After one lesson with him, I see why he is their favorite. He has successfully done commercials and taught for years and knows exactly what it takes to get callbacks and to get bookings. Let me be very clear about one thing. Studying with this new acting coach is not, by any means, instead of studying with my other acting coach, who I have mentioned numerous times in this blog, but is in addition to studying with my long time coach.
The new coach, Like my other coach, is very personable, but brutally honest and direct in his approach. He gets right to the point of what, how, why, and when. This is Hollywood. This is the big leagues. These are big league acting coaches, and I listen to every word both men have to say about acting in general and my acting in particular. I would be a fool not to.
The truth is, they both know what it takes to work in this town, and they both know how to impart that knowledge to their students. Like money, you can never have too many quality acting coaches. I now feel very fortunate that I have found two.
My long time acting coach has a studio in a building in downtown Hollywood. My new acting coach also teaches in Hollywood, but far from downtown. He teaches in a studio in his home, which is perched half way up the mountain on which sits the Hollywood sign. His house is on a winding narrow, often one lane road (due to cars parked on the side). There are houses on both sides of the road and at times, around blind curves, you must drive no more than five miles per hour in case you meet someone coming the other way. If that happens, one car has to give ground so the other car may pass. It's a very adventurous road.
The lesson today showed areas where I need work. I welcome the challenge and know that I am up to it. I have daily homework which I will, of course, do. I have a lesson scheduled with my long time acting coach next week, and one again with my new acting coach the week after that.
For the cherry on top of the cake, I received an email shortly after my lesson concluded, which informed me of an audition I have early tomorrow afternoon. This audition is for a commercial and came through my new agency.
So acting lessons and auditions continue, and hopefully sprinkled in among those will be some bookings. Of course I haven't forgotten that I still need to find a quality theatrical agency to represent me in that area. How will it all shake out? We'll find out together.
Stay tuned.........
Sunday, June 28, 2009
Riding The Hollywood Roller Coaster
On thing an actor learns early in their career is that it is wise not to get too down when things don't go well, and not to get too elated when they do. In other words, a middle of the road, even keel approach is best for your sanity. Last week was a prime personal example of that fact.
I returned from Seattle on a flight into Burbank Monday evening. The trip was great, spending time with my wife, our two cats, catching a few of the new films which are out, and just relaxing and recharging the batteries for a few days. I greatly enjoyed every minute of it.
On my second full day back in LA I had a previously scheduled private lesson with my acting coach in Hollywood. It did not go well. As he usually does, he sent me the sides (via email) the day before. I worked on the them night before my lesson and thought I had a pretty fair handle on the role. I was wrong.....dead wrong! I could not get into the role, and while some takes were better than others and a few sentences of my delivery were right on, over all it was one of the worst lessons I have had with him since moving to LA. Needless to say we are doing that same role in my next lesson with him.
That was the bad part....now the good. After my lesson I drove home, and while having lunch, received a call. It was about a role for which I had submitted myself through one of the on-line services I subscribe to. They wanted to know if I could be in Glendale to audition in a little over an hour. I said I could, gobbled down the last few bites of my lunch, and from the time of the phone call until I walked into their offices was one hour and ten minutes. The traffic gods on the Ventura freeway were kind to me that day.
I auditioned, and it went well. I have heard nothing yet and have no idea if I am in contention for the role or not. Still, I was pleased with the audition, and when an actor can walk away from an audition and feel good about how it went, that is the best they can hope for. After the audition, the rest is out of the actor's hands.
I mentioned in my last post that I had secured representation on the commercial side from a quite well regarded LA talent agency. Friday afternoon, I received an email telling me I had an audition this coming Monday morning (the 29th) as a result of being submitted by my new agency. The audition is in Sherman Oaks, less than ten miles from where I live. I'm looking forward to it. Some of my acting friends in Seattle used to look at me like I was a two headed Martian when I would say this, but I enjoy auditions, and have since the very first one.
So The roller coaster ride last week had it ups and downs. I suppose that's why they call it a roller coaster. The acting lesson wasn't what I had hoped it would be, but the nice thing about an acting lesson, as opposed to an audition, is that, if necessary, (and, boy, is it necessary this time) you get a chance to do the lesson over. With an audition you get one at bat (and maybe a second, if you get a callback).
Get your tickets early. The roller coaster leaves for another trip next week. Hang on!
More later...........
I returned from Seattle on a flight into Burbank Monday evening. The trip was great, spending time with my wife, our two cats, catching a few of the new films which are out, and just relaxing and recharging the batteries for a few days. I greatly enjoyed every minute of it.
On my second full day back in LA I had a previously scheduled private lesson with my acting coach in Hollywood. It did not go well. As he usually does, he sent me the sides (via email) the day before. I worked on the them night before my lesson and thought I had a pretty fair handle on the role. I was wrong.....dead wrong! I could not get into the role, and while some takes were better than others and a few sentences of my delivery were right on, over all it was one of the worst lessons I have had with him since moving to LA. Needless to say we are doing that same role in my next lesson with him.
That was the bad part....now the good. After my lesson I drove home, and while having lunch, received a call. It was about a role for which I had submitted myself through one of the on-line services I subscribe to. They wanted to know if I could be in Glendale to audition in a little over an hour. I said I could, gobbled down the last few bites of my lunch, and from the time of the phone call until I walked into their offices was one hour and ten minutes. The traffic gods on the Ventura freeway were kind to me that day.
I auditioned, and it went well. I have heard nothing yet and have no idea if I am in contention for the role or not. Still, I was pleased with the audition, and when an actor can walk away from an audition and feel good about how it went, that is the best they can hope for. After the audition, the rest is out of the actor's hands.
I mentioned in my last post that I had secured representation on the commercial side from a quite well regarded LA talent agency. Friday afternoon, I received an email telling me I had an audition this coming Monday morning (the 29th) as a result of being submitted by my new agency. The audition is in Sherman Oaks, less than ten miles from where I live. I'm looking forward to it. Some of my acting friends in Seattle used to look at me like I was a two headed Martian when I would say this, but I enjoy auditions, and have since the very first one.
So The roller coaster ride last week had it ups and downs. I suppose that's why they call it a roller coaster. The acting lesson wasn't what I had hoped it would be, but the nice thing about an acting lesson, as opposed to an audition, is that, if necessary, (and, boy, is it necessary this time) you get a chance to do the lesson over. With an audition you get one at bat (and maybe a second, if you get a callback).
Get your tickets early. The roller coaster leaves for another trip next week. Hang on!
More later...........
Tuesday, June 16, 2009
Bingo!
This morning I had my interview with the last of the three agencies who contacted me after my mass mailing two weeks ago. This agency is one of the more well known agencies in the commercial end of the LA acting business. I had investigated them thoroughly before today, and found them to be one of the more respected agencies in their field in LA. I could not find one person who had a bad word to say about them. Based on that investigation, I was prepared to say yes, if they offered to represent me commercially. They did and I did, and I now have an excellent commercial agent.
I am still looking for a theatrical agent, and that is not an unusual situation for relatively new actors in LA. Many, many actors, have two agents....one commercially and one theatrically (for film and TV). Of the two, the commercial agent is a bit easier to obtain, as they are more willing to take non-union talent that appeals to them.
I'm not saying I will not find a quality theatrical agent before becoming a member of SAG, but working towards my SAG card remains a top priority for me. Acting in commercials may also lead me to joining AFTRA, but you can join AFTRA any time you choose by telling them you want to, and paying the hefty initiation fee. AFTRA also offers another avenue to getting a SAG card, as after being an AFTRA member for one year, and doing some AFTRA contract work during that year, you become eligible to join SAG. I'm not sure of all the fine details involved, but in capsule form, that's how it works.
I guess I could best sum up my visit to the agency this morning this way. It was a good day....a very good day.
I was quite fortunate in that all three of the agencies I visited offered to represent me. The first two agencies I visited are smaller than the one I visited this morning, and are what is known as full service agencies, in that they cover both the theatrical and commercial side. It is doubtful that either would want to represent a non union actor who already has a commercial agent. Both of the other agencies have a lot to offer, but unfortunately I will have to call them and decline their offers of representation. These are good agencies, staffed by good people, but I feel I will be best served by the commercial agent I visited today, while I continue to look for a theatrical agent.
Tomorrow, I'm off for some R&R in my home near Seattle, returning to LA next Monday, the 22nd.
Talk with you next week.................
I am still looking for a theatrical agent, and that is not an unusual situation for relatively new actors in LA. Many, many actors, have two agents....one commercially and one theatrically (for film and TV). Of the two, the commercial agent is a bit easier to obtain, as they are more willing to take non-union talent that appeals to them.
I'm not saying I will not find a quality theatrical agent before becoming a member of SAG, but working towards my SAG card remains a top priority for me. Acting in commercials may also lead me to joining AFTRA, but you can join AFTRA any time you choose by telling them you want to, and paying the hefty initiation fee. AFTRA also offers another avenue to getting a SAG card, as after being an AFTRA member for one year, and doing some AFTRA contract work during that year, you become eligible to join SAG. I'm not sure of all the fine details involved, but in capsule form, that's how it works.
I guess I could best sum up my visit to the agency this morning this way. It was a good day....a very good day.
I was quite fortunate in that all three of the agencies I visited offered to represent me. The first two agencies I visited are smaller than the one I visited this morning, and are what is known as full service agencies, in that they cover both the theatrical and commercial side. It is doubtful that either would want to represent a non union actor who already has a commercial agent. Both of the other agencies have a lot to offer, but unfortunately I will have to call them and decline their offers of representation. These are good agencies, staffed by good people, but I feel I will be best served by the commercial agent I visited today, while I continue to look for a theatrical agent.
Tomorrow, I'm off for some R&R in my home near Seattle, returning to LA next Monday, the 22nd.
Talk with you next week.................
Tuesday, June 9, 2009
Visiting The Agencies
One week ago yesterday, I sent out fifty one envelopes containing a headshot, resume, and cover letter to talent agents in the LA area. To date, I have heard from three of those agencies asking me to come in for an appointment/audition.
I met with one agency last Friday morning and another one this morning. I will be visiting the third agency a week from today. So far the results have been extremely gratifying, with both the agencies I have visited so far, offering to represent me. While I am pleased, it is really not something I thought would happen so quickly.
I will make a decision as to which agency I will go with after visiting the third agency next week. It too is one which people in the business recommend highly. This third agency is somewhat larger than the two I have visited so far, but size in this town is not a good criteria for evaluating an agency. Smaller agencies (or boutique agencies, as they are known in the business) have less talent agents and less clients, while larger agencies have more agents and more clients. Both types can do well, and all three of these agencies have a reputation of doing just that for the actors they represent.
Of course, getting representation by a quality agency is just the start for an actor in Hollywood. Next, you must get auditions (through your agent, and on your own), and then you must do well enough in those audition to get booked. Never the less, being represented by a quality agency is a vital first step, and it appears I have managed that first step, as I will be choosing an agency before the month is over.
I mentioned getting auditions through your agent and on your own. Having an agent in this town (or any other town for that matter) doesn't mean sitting by the phone, letting them do all the work, and waiting for them to call. You must work the other side of the street, so to speak, and constantly submit yourself for auditions through one of the local reputable services (NOTE TO ACTORS: They are not all reputable), send headshots and resumes to casting directors (the second half of my phase II which I will complete before month end), appear in showcases that casting directors attend, and continue to do all the marketing efforts you did prior to having an agent. You don't have an agent to take the place of your self-marketing efforts....you have an agent in addition to your self-marketing efforts.
A final note. The agency I visited today is literally at the corner of Hollywood and Vine. I parked in a lot directly across from the Capital Records building and on the way to and from the agency, traveled down the Hollywood Walk of Fame, in which hundreds of large gold stars are embedded in the sidewalk with the names of famous actors and entertainers from the past and present. I walked by stars for Greer Garson, William Holden, Francis X Bushman, Gary Cooper, Randolph Scott, and many, many others. I have to admit, I still get a big kick out of the tradition and landmarks of Hollywood and the rest of the LA area.
See you soon......
I met with one agency last Friday morning and another one this morning. I will be visiting the third agency a week from today. So far the results have been extremely gratifying, with both the agencies I have visited so far, offering to represent me. While I am pleased, it is really not something I thought would happen so quickly.
I will make a decision as to which agency I will go with after visiting the third agency next week. It too is one which people in the business recommend highly. This third agency is somewhat larger than the two I have visited so far, but size in this town is not a good criteria for evaluating an agency. Smaller agencies (or boutique agencies, as they are known in the business) have less talent agents and less clients, while larger agencies have more agents and more clients. Both types can do well, and all three of these agencies have a reputation of doing just that for the actors they represent.
Of course, getting representation by a quality agency is just the start for an actor in Hollywood. Next, you must get auditions (through your agent, and on your own), and then you must do well enough in those audition to get booked. Never the less, being represented by a quality agency is a vital first step, and it appears I have managed that first step, as I will be choosing an agency before the month is over.
I mentioned getting auditions through your agent and on your own. Having an agent in this town (or any other town for that matter) doesn't mean sitting by the phone, letting them do all the work, and waiting for them to call. You must work the other side of the street, so to speak, and constantly submit yourself for auditions through one of the local reputable services (NOTE TO ACTORS: They are not all reputable), send headshots and resumes to casting directors (the second half of my phase II which I will complete before month end), appear in showcases that casting directors attend, and continue to do all the marketing efforts you did prior to having an agent. You don't have an agent to take the place of your self-marketing efforts....you have an agent in addition to your self-marketing efforts.
A final note. The agency I visited today is literally at the corner of Hollywood and Vine. I parked in a lot directly across from the Capital Records building and on the way to and from the agency, traveled down the Hollywood Walk of Fame, in which hundreds of large gold stars are embedded in the sidewalk with the names of famous actors and entertainers from the past and present. I walked by stars for Greer Garson, William Holden, Francis X Bushman, Gary Cooper, Randolph Scott, and many, many others. I have to admit, I still get a big kick out of the tradition and landmarks of Hollywood and the rest of the LA area.
See you soon......
Wednesday, June 3, 2009
More About Phase II
In a previous blog entry, I mentioned Phase II in my journey as an actor in LA. Essentially, Phase II is a mass mailing, first to talent agents, and then to casting directors. Monday (two days ago), I completed the first half of Phase II and mailed out fifty one envelopes to local talent agencies. In each envelope was my headshot, resume and a cover letter explaining some things about me, and that I was seeking representation. Mailing them was just the tip of the iceberg, as it literally took hours to prepare those fifty one envelopes.
First, I took my headshot (in digital form on a USB storage device) to a company in LA called Reproductions, and had them print 200 headshots. While I was waiting on the headshots to be ready (only a two day turn around) I took my monthly copy of "The Agencies" and selected the fifty one agencies which I would contact. A good part of my selection criteria was that they would accept submissions from non union actors. Next, I used MS Word's mail merge to create a database from which the fifty one mailing labels, as well as the individually addressed cover letters were printed. You can buy pre-printed mailing labels for all the talent agencies if you do not want to create them yourself, but of course, there is a cost associated with that.
Once the headshots were ready, I printed my resume on the back of fifty one of them. These headshots are on heavy duty stock and are designed to have a resume printed on the reverse side. Printing resumes on the back of headshots far in advance is not a good idea, as your information can change over a period of time, but doing so just before you send or hand a resume to someone eliminates staples and makes for a cleaner looking headshot.
Sunday afternoon, I put all the contents in the envelopes, put the labels on, and was ready to mail them on Monday.
Today, I received phone calls from two of agencies I had contacted. I have an audition with one this coming Friday, and the other next Tuesday. Will more agencies contact me? Don't know. I'll keep you posted.
Until next time............
First, I took my headshot (in digital form on a USB storage device) to a company in LA called Reproductions, and had them print 200 headshots. While I was waiting on the headshots to be ready (only a two day turn around) I took my monthly copy of "The Agencies" and selected the fifty one agencies which I would contact. A good part of my selection criteria was that they would accept submissions from non union actors. Next, I used MS Word's mail merge to create a database from which the fifty one mailing labels, as well as the individually addressed cover letters were printed. You can buy pre-printed mailing labels for all the talent agencies if you do not want to create them yourself, but of course, there is a cost associated with that.
Once the headshots were ready, I printed my resume on the back of fifty one of them. These headshots are on heavy duty stock and are designed to have a resume printed on the reverse side. Printing resumes on the back of headshots far in advance is not a good idea, as your information can change over a period of time, but doing so just before you send or hand a resume to someone eliminates staples and makes for a cleaner looking headshot.
Sunday afternoon, I put all the contents in the envelopes, put the labels on, and was ready to mail them on Monday.
Today, I received phone calls from two of agencies I had contacted. I have an audition with one this coming Friday, and the other next Tuesday. Will more agencies contact me? Don't know. I'll keep you posted.
Until next time............
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