On thing an actor learns early in their career is that it is wise not to get too down when things don't go well, and not to get too elated when they do. In other words, a middle of the road, even keel approach is best for your sanity. Last week was a prime personal example of that fact.
I returned from Seattle on a flight into Burbank Monday evening. The trip was great, spending time with my wife, our two cats, catching a few of the new films which are out, and just relaxing and recharging the batteries for a few days. I greatly enjoyed every minute of it.
On my second full day back in LA I had a previously scheduled private lesson with my acting coach in Hollywood. It did not go well. As he usually does, he sent me the sides (via email) the day before. I worked on the them night before my lesson and thought I had a pretty fair handle on the role. I was wrong.....dead wrong! I could not get into the role, and while some takes were better than others and a few sentences of my delivery were right on, over all it was one of the worst lessons I have had with him since moving to LA. Needless to say we are doing that same role in my next lesson with him.
That was the bad part....now the good. After my lesson I drove home, and while having lunch, received a call. It was about a role for which I had submitted myself through one of the on-line services I subscribe to. They wanted to know if I could be in Glendale to audition in a little over an hour. I said I could, gobbled down the last few bites of my lunch, and from the time of the phone call until I walked into their offices was one hour and ten minutes. The traffic gods on the Ventura freeway were kind to me that day.
I auditioned, and it went well. I have heard nothing yet and have no idea if I am in contention for the role or not. Still, I was pleased with the audition, and when an actor can walk away from an audition and feel good about how it went, that is the best they can hope for. After the audition, the rest is out of the actor's hands.
I mentioned in my last post that I had secured representation on the commercial side from a quite well regarded LA talent agency. Friday afternoon, I received an email telling me I had an audition this coming Monday morning (the 29th) as a result of being submitted by my new agency. The audition is in Sherman Oaks, less than ten miles from where I live. I'm looking forward to it. Some of my acting friends in Seattle used to look at me like I was a two headed Martian when I would say this, but I enjoy auditions, and have since the very first one.
So The roller coaster ride last week had it ups and downs. I suppose that's why they call it a roller coaster. The acting lesson wasn't what I had hoped it would be, but the nice thing about an acting lesson, as opposed to an audition, is that, if necessary, (and, boy, is it necessary this time) you get a chance to do the lesson over. With an audition you get one at bat (and maybe a second, if you get a callback).
Get your tickets early. The roller coaster leaves for another trip next week. Hang on!
More later...........
Sunday, June 28, 2009
Tuesday, June 16, 2009
Bingo!
This morning I had my interview with the last of the three agencies who contacted me after my mass mailing two weeks ago. This agency is one of the more well known agencies in the commercial end of the LA acting business. I had investigated them thoroughly before today, and found them to be one of the more respected agencies in their field in LA. I could not find one person who had a bad word to say about them. Based on that investigation, I was prepared to say yes, if they offered to represent me commercially. They did and I did, and I now have an excellent commercial agent.
I am still looking for a theatrical agent, and that is not an unusual situation for relatively new actors in LA. Many, many actors, have two agents....one commercially and one theatrically (for film and TV). Of the two, the commercial agent is a bit easier to obtain, as they are more willing to take non-union talent that appeals to them.
I'm not saying I will not find a quality theatrical agent before becoming a member of SAG, but working towards my SAG card remains a top priority for me. Acting in commercials may also lead me to joining AFTRA, but you can join AFTRA any time you choose by telling them you want to, and paying the hefty initiation fee. AFTRA also offers another avenue to getting a SAG card, as after being an AFTRA member for one year, and doing some AFTRA contract work during that year, you become eligible to join SAG. I'm not sure of all the fine details involved, but in capsule form, that's how it works.
I guess I could best sum up my visit to the agency this morning this way. It was a good day....a very good day.
I was quite fortunate in that all three of the agencies I visited offered to represent me. The first two agencies I visited are smaller than the one I visited this morning, and are what is known as full service agencies, in that they cover both the theatrical and commercial side. It is doubtful that either would want to represent a non union actor who already has a commercial agent. Both of the other agencies have a lot to offer, but unfortunately I will have to call them and decline their offers of representation. These are good agencies, staffed by good people, but I feel I will be best served by the commercial agent I visited today, while I continue to look for a theatrical agent.
Tomorrow, I'm off for some R&R in my home near Seattle, returning to LA next Monday, the 22nd.
Talk with you next week.................
I am still looking for a theatrical agent, and that is not an unusual situation for relatively new actors in LA. Many, many actors, have two agents....one commercially and one theatrically (for film and TV). Of the two, the commercial agent is a bit easier to obtain, as they are more willing to take non-union talent that appeals to them.
I'm not saying I will not find a quality theatrical agent before becoming a member of SAG, but working towards my SAG card remains a top priority for me. Acting in commercials may also lead me to joining AFTRA, but you can join AFTRA any time you choose by telling them you want to, and paying the hefty initiation fee. AFTRA also offers another avenue to getting a SAG card, as after being an AFTRA member for one year, and doing some AFTRA contract work during that year, you become eligible to join SAG. I'm not sure of all the fine details involved, but in capsule form, that's how it works.
I guess I could best sum up my visit to the agency this morning this way. It was a good day....a very good day.
I was quite fortunate in that all three of the agencies I visited offered to represent me. The first two agencies I visited are smaller than the one I visited this morning, and are what is known as full service agencies, in that they cover both the theatrical and commercial side. It is doubtful that either would want to represent a non union actor who already has a commercial agent. Both of the other agencies have a lot to offer, but unfortunately I will have to call them and decline their offers of representation. These are good agencies, staffed by good people, but I feel I will be best served by the commercial agent I visited today, while I continue to look for a theatrical agent.
Tomorrow, I'm off for some R&R in my home near Seattle, returning to LA next Monday, the 22nd.
Talk with you next week.................
Tuesday, June 9, 2009
Visiting The Agencies
One week ago yesterday, I sent out fifty one envelopes containing a headshot, resume, and cover letter to talent agents in the LA area. To date, I have heard from three of those agencies asking me to come in for an appointment/audition.
I met with one agency last Friday morning and another one this morning. I will be visiting the third agency a week from today. So far the results have been extremely gratifying, with both the agencies I have visited so far, offering to represent me. While I am pleased, it is really not something I thought would happen so quickly.
I will make a decision as to which agency I will go with after visiting the third agency next week. It too is one which people in the business recommend highly. This third agency is somewhat larger than the two I have visited so far, but size in this town is not a good criteria for evaluating an agency. Smaller agencies (or boutique agencies, as they are known in the business) have less talent agents and less clients, while larger agencies have more agents and more clients. Both types can do well, and all three of these agencies have a reputation of doing just that for the actors they represent.
Of course, getting representation by a quality agency is just the start for an actor in Hollywood. Next, you must get auditions (through your agent, and on your own), and then you must do well enough in those audition to get booked. Never the less, being represented by a quality agency is a vital first step, and it appears I have managed that first step, as I will be choosing an agency before the month is over.
I mentioned getting auditions through your agent and on your own. Having an agent in this town (or any other town for that matter) doesn't mean sitting by the phone, letting them do all the work, and waiting for them to call. You must work the other side of the street, so to speak, and constantly submit yourself for auditions through one of the local reputable services (NOTE TO ACTORS: They are not all reputable), send headshots and resumes to casting directors (the second half of my phase II which I will complete before month end), appear in showcases that casting directors attend, and continue to do all the marketing efforts you did prior to having an agent. You don't have an agent to take the place of your self-marketing efforts....you have an agent in addition to your self-marketing efforts.
A final note. The agency I visited today is literally at the corner of Hollywood and Vine. I parked in a lot directly across from the Capital Records building and on the way to and from the agency, traveled down the Hollywood Walk of Fame, in which hundreds of large gold stars are embedded in the sidewalk with the names of famous actors and entertainers from the past and present. I walked by stars for Greer Garson, William Holden, Francis X Bushman, Gary Cooper, Randolph Scott, and many, many others. I have to admit, I still get a big kick out of the tradition and landmarks of Hollywood and the rest of the LA area.
See you soon......
I met with one agency last Friday morning and another one this morning. I will be visiting the third agency a week from today. So far the results have been extremely gratifying, with both the agencies I have visited so far, offering to represent me. While I am pleased, it is really not something I thought would happen so quickly.
I will make a decision as to which agency I will go with after visiting the third agency next week. It too is one which people in the business recommend highly. This third agency is somewhat larger than the two I have visited so far, but size in this town is not a good criteria for evaluating an agency. Smaller agencies (or boutique agencies, as they are known in the business) have less talent agents and less clients, while larger agencies have more agents and more clients. Both types can do well, and all three of these agencies have a reputation of doing just that for the actors they represent.
Of course, getting representation by a quality agency is just the start for an actor in Hollywood. Next, you must get auditions (through your agent, and on your own), and then you must do well enough in those audition to get booked. Never the less, being represented by a quality agency is a vital first step, and it appears I have managed that first step, as I will be choosing an agency before the month is over.
I mentioned getting auditions through your agent and on your own. Having an agent in this town (or any other town for that matter) doesn't mean sitting by the phone, letting them do all the work, and waiting for them to call. You must work the other side of the street, so to speak, and constantly submit yourself for auditions through one of the local reputable services (NOTE TO ACTORS: They are not all reputable), send headshots and resumes to casting directors (the second half of my phase II which I will complete before month end), appear in showcases that casting directors attend, and continue to do all the marketing efforts you did prior to having an agent. You don't have an agent to take the place of your self-marketing efforts....you have an agent in addition to your self-marketing efforts.
A final note. The agency I visited today is literally at the corner of Hollywood and Vine. I parked in a lot directly across from the Capital Records building and on the way to and from the agency, traveled down the Hollywood Walk of Fame, in which hundreds of large gold stars are embedded in the sidewalk with the names of famous actors and entertainers from the past and present. I walked by stars for Greer Garson, William Holden, Francis X Bushman, Gary Cooper, Randolph Scott, and many, many others. I have to admit, I still get a big kick out of the tradition and landmarks of Hollywood and the rest of the LA area.
See you soon......
Wednesday, June 3, 2009
More About Phase II
In a previous blog entry, I mentioned Phase II in my journey as an actor in LA. Essentially, Phase II is a mass mailing, first to talent agents, and then to casting directors. Monday (two days ago), I completed the first half of Phase II and mailed out fifty one envelopes to local talent agencies. In each envelope was my headshot, resume and a cover letter explaining some things about me, and that I was seeking representation. Mailing them was just the tip of the iceberg, as it literally took hours to prepare those fifty one envelopes.
First, I took my headshot (in digital form on a USB storage device) to a company in LA called Reproductions, and had them print 200 headshots. While I was waiting on the headshots to be ready (only a two day turn around) I took my monthly copy of "The Agencies" and selected the fifty one agencies which I would contact. A good part of my selection criteria was that they would accept submissions from non union actors. Next, I used MS Word's mail merge to create a database from which the fifty one mailing labels, as well as the individually addressed cover letters were printed. You can buy pre-printed mailing labels for all the talent agencies if you do not want to create them yourself, but of course, there is a cost associated with that.
Once the headshots were ready, I printed my resume on the back of fifty one of them. These headshots are on heavy duty stock and are designed to have a resume printed on the reverse side. Printing resumes on the back of headshots far in advance is not a good idea, as your information can change over a period of time, but doing so just before you send or hand a resume to someone eliminates staples and makes for a cleaner looking headshot.
Sunday afternoon, I put all the contents in the envelopes, put the labels on, and was ready to mail them on Monday.
Today, I received phone calls from two of agencies I had contacted. I have an audition with one this coming Friday, and the other next Tuesday. Will more agencies contact me? Don't know. I'll keep you posted.
Until next time............
First, I took my headshot (in digital form on a USB storage device) to a company in LA called Reproductions, and had them print 200 headshots. While I was waiting on the headshots to be ready (only a two day turn around) I took my monthly copy of "The Agencies" and selected the fifty one agencies which I would contact. A good part of my selection criteria was that they would accept submissions from non union actors. Next, I used MS Word's mail merge to create a database from which the fifty one mailing labels, as well as the individually addressed cover letters were printed. You can buy pre-printed mailing labels for all the talent agencies if you do not want to create them yourself, but of course, there is a cost associated with that.
Once the headshots were ready, I printed my resume on the back of fifty one of them. These headshots are on heavy duty stock and are designed to have a resume printed on the reverse side. Printing resumes on the back of headshots far in advance is not a good idea, as your information can change over a period of time, but doing so just before you send or hand a resume to someone eliminates staples and makes for a cleaner looking headshot.
Sunday afternoon, I put all the contents in the envelopes, put the labels on, and was ready to mail them on Monday.
Today, I received phone calls from two of agencies I had contacted. I have an audition with one this coming Friday, and the other next Tuesday. Will more agencies contact me? Don't know. I'll keep you posted.
Until next time............
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